One may think about my nephew and Ms. Riitta-Berliner-Mauer as opposing instances.?

One may think about my nephew and Ms. Riitta-Berliner-Mauer as opposing instances.?

In the beginning, objects must evince features signaling humanness—faces, mouths, voices—to be looked at animate; in objectophilia, the thing is sexy properly since it is not individual, perhaps not soft and saturated in fluids, but instead hard, difficult, hard—though also a little porous.

But both instances are about items arriving at a life that is new reference to their counterparties—subjects, individuals, wetware. Nevertheless, both are about topics engaging with things, whose status that is new just related to them because of the previous. In Jane Bennett’s view, in comparison, the latest charm of things is rooted inside their being viewed as things, which starts when they’re no longer objects for topics. 4 They then become available not just for animist animation and libido, also for a 3rd connection: as things of identification, as avenues toward what exactly is fundamentally a de-animation, a type of de-subjectivation or critical problem of subjectivation. Hito Steyerl might have had something similar to this at heart whenever she had written in e-flux journal:

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